A taste of the Nebraska landscape from the AIR.
It was a crew member from New York, here to shoot a commercial. While gazing at one of our ridiculous cloud displays he said, “I think this is the first time I’ve seen the sky touch the ground.” The aerial canvas is so gigantic because there is so little to get in the way.
I have witnessed incredible sunrises and sunsets over the years. The cushy gig is to work on a project that needs this shot. Scouting for a sunrise / sunset? Really? Yes.
When the sun is up, as equal in spectacular are the clouds. In the old days, we referred to them as ad agency clouds. Of course the client (and DPs) want them for the shoot day after you go ahead and shoot them on a scout. Apologies if you don’t get the same thing.
Why of course I have no control over which types of clouds will show up on your shoot day. But there is a better chance of seeing them when you have a sky like ours as to fill it with them. Yes, you can add them later if you don’t get any. You’ll just get the biggest blue screen you’ve ever worked with…
A few tips for you:
Images and words COPYRIGHT © Jamie Vesay ASK for permission to use.
An amazing spectacle happens every spring in Nebraska. The annual migration of Sandhill cranes. They arrive from the south, traveling to their summer grounds in the north. They have done so for millions of years. Glorious low light and thousands of birds create settings a plenty for amazing photography. It is quite the sight for cold eyes.
What a great backdrop for a movie. Oh, why yes, Jamie does have a screenplay that is set during this time. Agents, please do apply.
Photos and words COPYRIGHT Jamie Vesay ANY USE requires permission.